Daniel Hernández could be the be the second Latinx out LGBTQ member of Congress!

Daniel Hernández, Arizona

Daniel Hernández is running for Congress to represent Arizona’s second district. If elected, Daniel will be the second Latinx out LGBTQ member of congress. The date of the primary election is August 2nd, 2022 and the general election takes place on November 8th, 2022

The Victory Fund writes…

Daniel is a state representative, former school board president, and lifelong Arizonan running for Congress to help Southern Arizona families.

Daniel was born and raised in Tucson, his mother an immigrant from Mexico who came to the U.S. where she met Daniel’s father. A first-generation college student, Daniel attended the University of Arizona when he interned for then-Congresswoman Gabby Giffords and was there on the day of the tragic attack on her life which resulted in 6 deaths and 13 people injured. Daniel was the first to administer first aid to the Congresswoman before the EMTs arrived and was named a national hero by President Obama.

Inspired by Congresswoman Giffords’s commitment to public service, Daniel went on to advocate for access to reproductive health care and education as program manager for Raíz, Planned Parenthood’s Latino outreach program. He was also elected to his local school board, where he became the youngest school board president in the district’s history.

Since 2017, Daniel has served in the Arizona State House, was one of the youngest elected and is a co-founder of the House LGBTQ caucus. In the House, he has worked with both Republicans and Democrats to pass bills protecting survivors of sexual assault and secure $20 million for school resource officers, counselors, and social workers. He also led the fight against legislation that would discriminate against LGBTQ Arizonans.

He fought to expand access to affordable health care, having struggled firsthand with a severe illness and to afford the right care and medication. During the pandemic, he protected critical health care services and saved a rural hospital that treats underserved communities in Southern Arizona. He also received recognition as the 2019 Women’s Healthcare Champion from the American College of Obstetricians and Gynecologists.

Find out more about Daniel at: danielhernandezforcongress.com

Lil Nas X: Suicide Prevention Advocate of the Year

Trevor Project Honors Lil Nas X

The Trevor Project, the world’s largest suicide prevention and crisis intervention organization for lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people, honored Grammy Award-winning artist Lil Nas X with its inaugural Suicide Prevention Advocate of the Year Award. Lil Nas X has demonstrated an ongoing commitment to supporting The Trevor Project’s mission to end suicide among LGBTQ young people with his openness about struggling with his sexuality and suicidal ideation, his continued advocacy around mental health issues, and his unapologetic celebration of his queer identity.

The Trevor Project’s inaugural Suicide Prevention Advocate of the Year Award marks the start of National Suicide Prevention Awareness Month and the crucial work that needs to be done to end suicide among LGBTQ youth. According to The Trevor Project’s National Survey on LGBTQ Youth Mental Health, 42% of LGBTQ youth seriously considered attempting suicide in the past year, including more than half of transgender and nonbinary youth. Due to higher rates of discrimination, rejection, and social isolation, LGBTQ young people are at increased risk for negative mental health outcomes such as anxiety, depression, seriously considering suicide, and more.

In accepting the award, Lil Nas X said: “Thank you so much to The Trevor Project for this award and for all they do for the LGBTQ community. Discrimination around sexuality and gender identity is still very real, and our community deserves to feel supported and totally free to be themselves. I often get messages from fans telling me about their struggles with depression and suicidal thoughts, and it made me realize that this was something bigger than myself. If using my voice and expressing myself in my music can help even one kid out there who feels alone, then it was all worth it.”

Amidst a record-breaking year for anti-LGBTQ legislation and violence against the LGBTQ community, The Trevor Project is highlighting the importance of queer representation in the media, and the powerful message of visibility and hope it sends to LGBTQ young people.

“The Trevor Project is thrilled to honor Lil Nas X with the Suicide Prevention Advocate of the Year Award,” said Amit Paley, CEO and Executive Director at The Trevor Project. “His vulnerability in his journey to self acceptance and expression has created space for candid conversations around mental health and sexual identity, signaling to LGBTQ youth that they are not alone. The Trevor Project’s research shows that over 80% of LGBTQ youth say that LGBTQ celebrities positively influence how they feel about being LGBTQ, further affirming the cultural impact of Lil Nas X being proud of who he is and an ideal recipient of this inaugural award.”

Following his chart-topping, genre-defying debut “Old Town Road” in 2019, Lil Nas X quickly became a global LGBTQ icon recognized for his fearless effort in changing the status quo around what it means to be queer and Black in the mainstream music industry. Throughout his career, he has been an outspoken and unapologetic advocate for the LGBTQ community, using his platform to shed light on mental health issues many LGBTQ young people face. In February, Lil Nas X shared a series of intimate TikTok videos documenting his life story, including his silent battle with depression, anxiety, and suicidal ideation during his rise to fame. The following month, he penned a heartfelt letter to his 14-year-old self about coming out publicly to mark the release of “MONTERO (Call Me By Your Name).” In the letter he states, “I know we promised to die with the secret, but this will open doors for many other queer people to simply exist.” In May, he released the music video for his single “SUN GOES DOWN,” which depicts Lil Nas X uplifting a younger version of himself in high school when he was contemplating suicide and struggling to come to terms with his sexuality. Through his bold music videos, poignant song lyrics, and candor on social media, Lil Nas X continues to fight for mainstream queer representation and elevate important issues around mental health, igniting change and spotlighting the experiences of LGBTQ young people around the world.

If you or someone you know needs help or support, The Trevor Project’s trained crisis counselors are available 24/7 at 1-866-488-7386, via chat www.TheTrevorProject.org/Help, or by texting START to 678678.

About The Trevor Project

The Trevor Project is the world’s largest suicide prevention and crisis intervention organization for lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people. The Trevor Project offers a suite of 24/7 crisis intervention and suicide prevention programs, including TrevorLifeline, TrevorText, and TrevorChat as well as the world’s largest safe space social networking site for LGBTQ youth, TrevorSpace. Trevor also operates an education program with resources for youth-serving adults and organizations, an advocacy department fighting for pro-LGBTQ legislation and against anti-LGBTQ rhetoric/policy positions, and a research team to discover the most effective means to help young LGBTQ people in crisis and end suicide. If you or someone you know is feeling hopeless or suicidal, our trained crisis counselors are available 24/7 at 1-866-488-7386 via chat www.TheTrevorProject.org/Help, or by texting START to 678-678.

Victory Fund Endorses Malcom Kenyatta

Malcom Kenyatta

Victory Fund has endorsed Malcom Kenyatta for the United States Senate in Pennsylvania. If elected Kenyatta will become the first out gay man ever elected to the United States Senate. His primary election takes place May 17, 2022, and the general election is November 8, 2022.

The Victory Fund writes…

Representative Malcolm Kenyatta currently serves as Vice-Chair of the Philadelphia Delegation, as a member of the Governor’s Task Force on Suicide Prevention, and on a host of committee leadership positions. As the first openly LGBTQ+ person of color and one of the youngest members elected to the PA General Assembly, he is deeply committed to creating an equitable and inclusive society. As a legislator, he has championed proposals to address generational poverty, raise the minimum wage, protect workers’ rights, increase access to mental healthcare, stem the rise of gun violence, and protect our digital infrastructure. 
 
In 2016 and in 2020, he was elected as Delegate to the Democratic Convention, both times garnering the second-highest vote total of any delegate in the Commonwealth. He has also appeared on local and national media outlets to discuss systemic poverty, affordable education and childcare, and making government more accountable to citizens. He was the subject of an award-winning short documentary about his election run, ‘Going Forward’ produced by Seven Knot Productions, which premiered on ‘The Atlantic Magazine Selects’ in 2018. In 2020, he was chosen by President Joe Biden to give the keynote address at the Democratic National Convention along with a group of other ‘Rising Stars.’ He was one of twenty Electoral College votes cast for Joe Biden and Kamala Harris. 

Malcolm lives in the same neighborhood he grew up in North Philadelphia with his partner, Dr. Matthew Jordan Miller. 

Learn more about Malcom at: www.malcolmkenyatta.com

Kayla Quimbley Joins Presidential Advisory Committee on HIV/AIDS

Kayla Quimbley

On August 4, 2021, Assistant Secretary for Health, Dr. Rachel Levine, swore in eight new members to the Presidential Advisory Council on HIV/AIDS (PACHA), one of the newest members being Kayla Quimbley, a Georgia Equality Youth HIV Policy Advisor and youth HIV advocate.

Quimbley, as a Youth HIV Policy Advisor, is trained on policy and advocacy while being equipped with the resources needed to educate state, city, and county-level policymakers around the creation of meaningful HIV- related laws and strategy.

According to www.hiv.gov, “The PACHA provides advice, information, and recommendations to the Secretary of Health and Human Services regarding programs, policies, and research to promote effective prevention, treatment, and cure of HIV disease and AIDS. This includes recommendations to the Secretary regarding the development and implementation of the Ending the HIV Epidemic in the U.S. initiative and the HIV National Strategic Plan.”

As a member of Advocates’ Engaging Communities around HIV Organizing (ECHO) council and as a National Youth HIV AIDS Awareness Day Ambassador, Quimbley is utilizing her skills, and lived experience, to eradicate HIV stigma, reduce the number of new HIV transmissions, and directly influence policy change.

Quimbley has dedicated herself to raising awareness of how HIV disproportionately impacts youth of color and continuously works to ensure that youth have access to medically accurate information.

Georgia Equality celebrates Kayla Quimbley for her dedication and is a true inspiration. We know she will be an assest to the PACHA.

A Day in the Queer Life of Asian Pacific America

A Day in the Queer Life of Asian Pacific America

A digital exhibition “A Day in the Queer Life of Asian Pacific America” is now available at smithsonianapa.org. The exhibition, which will be updated with new material through August, is a collaboration of the Smithsonian Asian Pacific American Center, AARP and Kundiman.

The past 50 years have witnessed huge strides in visibility for lesbian, gay, bisexual, transgender and queer communities, but with little attention focused on Asian American and Pacific Islander experiences. Featuring solicited and crowd-sourced media, including short film, photography, boomerangs, video poems and a long-form essays, this virtual exhibition explores queer life in Asian American and Pacific Islander communities throughout the country.

Featured sections of the exhibition include:

  • Queer Elders: a series of four video shorts of queer elders in San Francisco, Los Angeles and sites in the South and Midwest U.S., curated by archivist, photographer and filmmaker Mia Nakano
  • Queer Check-ins: a series of 12 video poem “check ins” by queer diasporic poets throughout the U.S. and beyond, curated by poet Franny Choi
  • Queer Youth: crowd-sourced photography and short video by queer youth
  • Queer Motion: crowd-sourced boomerangs exploring queer survival, heartbreak and joy set to motion
  • Queer Time: a long-form essay on queer experience of time by poet Rajiv Mohabir

“As an extension of our 2014 digital exhibition ‘A Day in the Life of Asian Pacific America,’ this project examines everyday life all across Asian Pacific America in order to illuminate the vast and complex nature of the Asian Pacific American identity,” said Lisa Sasaki, the director of the Smithsonian Asian Pacific American Center. “Most importantly, it brings much-needed visibility to the Asian American and Pacific Islander LGBTQ community by sharing the stories of elders, youth and—through calls for crowd-sourced material—any community member.”

“A Day in the Queer Life of Asian Pacific America” uses the designation “queer” to understand sexual and gender identity as often fluid and complex, while recognizing the term’s histories of derogatory usage.

“The 50th Anniversary of the Stonewall uprising feels like a good time to take stock of how far we’ve come and how far we must go to ensure that all LGBT older adults are free to be their whole selves, in every community under the rainbow, without fear of any kind of discrimination,” said Nii-Quartelai Quartey, AARP senior advisor and national LGBT liaison. “AARP is proud to do our part to advance and maintain the dignity of all of our members.”

Todrick Hall: Pushing for Black ‘Femuline’ Acceptance

Todrick Hall

Todrick Hall talks reinvention, industry bias and what drives his advocacy
By Eve Kucharski

Todrick Hall is serving bitch but making it, as he says on his latest record, fashòn. The album’s title, “Femuline,” is exactly as it seems: the blending of feminine and masculine attributes to create a greater, queerer whole. That theme serves as the perfect narrative for an artist who has made a music career out of reimagining classic stories like “The Wizard of Oz” and “Cinderella” through his own creative lens. The difference this time, he says, was that there was no “pre-existing blueprint.”

“It may exist, but I’ve never heard a song talking about how you can be both: you can be a prince, you can be a princess; you can be the bride, you can be the groom. And that was very interesting for me to explore,” Hall says. “But it was uncharted territory as far as I know.”

Full of club-ready bangers that seem tailor-made for Pride season, “Femuline” is Hall’s “open love letter to the LGBTQ community,” he says. An already queer experience is made queerer thanks to both LGBTQ+ and allied icons like Brandy, Tyra Banks, TS Madison, Chaka Khan, and, of course, Hall’s signature Broadway vocals.

So far in his career, Hall has been part of multiple Broadway smash hits, secured a spot as a recurring guest judge on “RuPaul’s Drag Race” and amassed a whopping 44 million views on YouTube with his 2019 “Nails, Hair, Hips, Heels” breakthrough single. Considering Hall only made the move to Los Angeles a decade ago, it’s all the more impressive that his hard-won successes have been so consistent and plentiful. Not even the vision board that he created upon his permanent move out West could’ve prepared the Plainview, Texas, native for everything he has accomplished at this point in his career.
“It wouldn’t have included any of these things because I wouldn’t have had the courage and the wisdom and the diversity and the acceptance and the permission from society to be able to put things on there,” Hall says. “As a dreamer, I still even limited my dreams at that time.”

He says that shortly after breaking into the industry he realized that, because of societal stigma and bias, his identity as a Black gay man would only make achieving his goals more difficult than he imagined. Hall recalls a distinct moment on the Broadway stage when another Black performer in “The Color Purple” pulled him aside and told him that he was never going to get away with mediocrity.

“And in every Broadway show that I’ve ever been in, I had to tumble,” he says. “I had to be doing backflips and leaping across the stage, and riffing and singing high, and understudying 8 billion roles while I saw my counterparts that were a different race come in and give, in some cases not even a mediocre performance, but the skill set that was required for them [to succeed] was lower,” Hall says.

In some ways, Hall says he views the high standards society places on him as a compliment, as an expectation to only bring the best quality to his work. Yet he recognizes their deeply problematic nature, racist origins and the consequences those standards have on both himself and fellow Black performers.

“You expect Black women to get up and out-sing everyone on the stage. If she doesn’t sing ‘And I Am Telling You’ or ‘I Will Always Love You,’ then why is she there?” he says. “To me, I think a Black woman should be able to get up and sing ‘Part of Your World’ from ‘The Little Mermaid.’ The reality is that there are a lot of people who are musical-theater performers that, if they can’t deliver a gospel Jennifer Holliday-, Jennifer Hudson-, Beyoncé-esque performance, their opportunities to perform and exist in entertainment are almost nonexistent.”

To Hall, one of the keys to dispelling the stigma that still persists around identity, whether conscious or not, is to push for representation whenever possible – not only of Black entertainers but those who are LGBTQ+ as well.

“Some days I wake up and I’m like, ‘You should be grateful for the things that you have.’ But then there are other days where I’m like, ‘You can count on one hand, without using most of your fingers, the amount of gay men who have come out and been gay when they were popular on the radio,’” he says, lamenting that he’s never heard a man sing a love song to another man on mainstream radio.

He adds that Hollywood’s acceptance of Black queer artists in 2021 isn’t enough: “We’re accepting breadcrumbs when we should get a slice of bread at this point.”
Hall believes that it should be a requirement and not an exception for radio stations to play same-sex love songs as a means of normalizing ideas of LGBTQ+ acceptance. Really, though, he’s out of patience for people who use a handful of examples of Black representation in popular culture as an excuse to say that visibility is equitable.
“People can make the decision to be like, ‘Yeah, there wasn’t a lot.’ Or they can bring up the fact that Oprah existed and be like, ‘That’s enough,’ when that wasn’t enough,” Hall says.

That extends to LGBTQ+ artists, too. He points to Lil Nas X’s “Montero (Call Me By Your Name)” as an example of audacious content created by a talented Black gay artist who’s seeking to break free from societal expectations of what Black queerness should look like.

“He probably knows singing a song that’s just a format that the Jonas Brothers, that Shawn Mendes, that James Arthur, that Ed Sheeran, that Sam Smith have been able to do would not be enough,” he says.

His passion about this topic and advocating for representation in his work comes from a personal place. A place, he says, that was born of being told “no” because of his Black, queer identity. It’s those roots that inspired him to take on advocacy projects outside of music like being the face of Morphe’s “Live With Love” palette whose full proceeds will go to benefit The Trevor Project. But as vocal as he is about causes he cares about, Hall doesn’t feel every artist needs to be required to use their platform for advocacy — it’s just the “cherry on top” if they do.

Looking ahead, it won’t be until 2022 that fans will get to see Hall perform “Femuline” live, seeing as how COVID-19 has thrown things off-kilter for nearly every touring artist’s schedule. But until then, there’s no question about what he needs to do next: “knock down walls and barriers so that the people that come after me are able to just strut without having to stress out [about] the things that I had to worry about that made me believe that I could never accomplish my dreams.”

Leyna Bloom: In Full Bloom

Leyna Bloom

In Full Bloom
This Trans Actress and Sports Illustrated Model Is Changing the Game for Trans Women of Color
By Chris Azzopardi

Leyna Bloom made a splash this year for being the first Black and Asian openly trans woman to be featured in the annual Sports Illustrated Swimsuit Edition, out in July. But even before reaching that historical milestone, the 27-year-old Chicago native was changing the game both on the runway and on the screen.

In 2019, Bloom was the only transgender woman of color to walk Paris Fashion Week in 2019 at the Tommy Hilfiger x Zendaya fashion show as part of an all-Black female runway. Then there’s her drama “Port Authority,” which features Bloom making her major movie debut in a prominent role, positioning the model, actress and activist as the first trans woman of color to lead a feature film at the Cannes Film Festival in the festival’s 72-year history. After first premiering at Cannes in 2019, “Port Authority” will expand to VOD on June 1.

In writer-director Danielle Lessovitz’s romantic drama, which was executive produced by Martin Scorsese, Bloom plays Wye, a trans woman of color and “femme queen” who encounters Paul (Fionn Whitehead) after he’s kicked out of his home in central Pennsylvania. Set against the backdrop of New York’s vogue houses and kiki ballrooms is their blossoming love. Bloom’s next film, “Asking For It,” a film focused on sexism that stars Kiersey Clemons, Ezra Miller, Vanessa Hudgens and Gabourey Sidibe, will premiere this summer at the Tribeca Film Festival. The actress can also be seen as ballroom figure Pretentia Khan in the third and (allegedly) final season of Ryan Murphy’s “Pose.”

During our recent conversation, the rising trans vanguard got emotional reflecting on making Cannes Film Festival history with “Port Authority.” Bloom also talked about drawing on legendary house mother Carmen Xtravaganza for her role on “Pose,” her dashed dreams of being in the Navy like her father, and being celebrated for her groundbreaking Sports Illustrated shoot.

When were you first interested in acting and modeling?

My great-grandmother was a model. My grandmother and my auntie, her daughters were both models. And my auntie was a dancer; she danced for Sammy Davis Jr. So dance and performing have always been in my blood. I come from two backgrounds, Nigerian and Filipino, which has a very rich background full of dance. So my ancestry and my creativity is all inside my body asking to be released constantly.

Acting has kind of always been kind of part of the plan, just like, “When am I gonna get there, and what script and what project will be the best project for that opportunity?” When “Port Authority” arrived, it was right on time because it was just a dream opportunity to play that character because it is literally the voice and the story of so many trans bodies. So, I’m glad that that was the first opportunity given to me to show the world the future.

“Port Authority” is the first film in Cannes Film Festival’s 72-year history to feature a trans woman of color in a lead role. How do you feel knowing that?

To be able to do something like this, which is my ancestors’ wildest dreams, is truly monumental. Why has it taken so long? And what can we do with this moment to make sure that it doesn’t take that long for the next person? That’s where my mind is always going to be wrapped up in. Because I may be the first, but I will not be the last. I think it’s just powerful because just 72 years ago, Black and brown bodies and queer bodies were nonexistent in this space. I think it’s just… I don’t know. I’m getting so emotional thinking about this.

Who are some of the people who paved the way for you to feel comfortable to be who you are?

A lot of beautiful women. Carmen Xtravaganza. Halle Berry. Tyra Banks. Tracey “Africa” (Norman). You know, Tyra Banks was the first woman of color to be on the cover of Sports Illustrated, so I’m standing on her shoulders. It’s very powerful and I’m so happy that (“Port Authority,” a story about) love was the first reason why we made history. It wasn’t about war, it wasn’t about pain. It was about love. It was a love story that made history about two people, (featuring a) trans woman, that has been missing in society. That is why it is so important, and that is why we need to continue having more moments like this.

How much of your own ballroom experience is the experience of your character, Wye, in “Port Authority”?

My experience is very similar. Wye’s character comes from a ballroom family where she is getting ready for balls and she is helping her family get ready for balls. Paul’s character is actually helping her get ready for balls, so that is very familiar to my lifestyle over the years. I’ve been (doing) ballroom since I was 15 years old, so I’ve gotten ready for many balls and prepared myself for many different competitions through the circuit. It’s very real, it’s very raw, and I love that Danielle wanted to just bring that authenticity to the film.

I chuckled at the line, “I mean, you could be a model or something,” which Paul says to Wye after she tells him that she was in the Navy. Was that based on your own real-life experience?

My dad was actually in the military. He was a Marine. I was raised in that environment, I was raised around my dad and us living on base, and us traveling to many different bases around the world, and officially being a Marine brat. That was something that we wanted to add to the character. I also wanted to be in the Navy at one point in my life, but because I am trans and because the system is not set up for me to serve my country, I could not do that. So I thought that was a beautiful little piece of nuance.

How did ballroom culture shape who you are today?

Ballroom just allowed me to see myself in my rawest state and understand that if I wanted to change, it’s up to me; it’s not up to anyone else. Ballroom is a place where you can find harmony in yourself, in your community. Where you can feel the vibrations of the people that are feeling the pain that you’re feeling and can heal together because of that. So ballroom holds lots of raw energy and power that the world has been exploring at a very small rate. But now ballroom is going to homes around the world, and people are redefining the ideas about themselves and what’s around them.

As for “Pose,” were you a fan of the series before you starred in it?

I actually auditioned for “Pose,” and a lot of my friends on the show auditioned and got the part. I was a huge fan of any project that was about Black and brown trans women being the centerpiece of the glory of television. So, I’m a huge fan of that show, and I’m so happy I got a chance to be a part of (this) last season.

How would you describe your character, Pretentia, and what was it like embodying her?

I have so many ideas about her character. Pretentia is kind of like Carmen Xtravaganza, this amazing ballroom icon woman that is Spanish and Black African, and she just inspired me growing up. I wanted to just really bring Carmen back to life through Pretentia. She’s just a combination of a lot of different strong women that I just grew up loving. She reminds me a lot of Sharon Stone. She had a lot of really strong alpha characters, and I wanted to bring that to Pretentia.

Tyra Banks has been such a huge supporter of yours. How important is it to have prominent cis people, like Tyra Banks, lift up the trans community? And what does it mean for you to have people like Tyra in your corner?

Honestly, it’s full circle for me. I was that kid that was watching “America’s Next Top Model” first season, jotting notes to use in my everyday life. Tyra was this woman that was giving us access to free information about her lived experience. And, to one day be aligned in some way, shape or form — aligned to what she has created — is truly powerful. And for her to acknowledge that is even more powerful.

I grew up reading Sports Illustrated, and knowing that Tyra was on the cover many times was truly powerful for me as a young trans woman. Seeing a beautiful Black woman that was full bust — big smile, beautiful personality, in tune with her femininity — was really powerful for me to see. When I did Sports Illustrated and it was announced, I immediately hit her up to acknowledge her as like, “I would not be here if it wasn’t for you,” like I did when I did “Pose.” I hit up those women that I told you (about): Carmen, Tracey “Africa.” I hit up these women to acknowledge that, “I’m doing this because you allowed me to see something that changed my life, that now I can be a part of, and I would not be able to do it if it wasn’t for you.” And (Tyra) acknowledged me. We’re texting here and there, and she’s sending me words of affirmation, and I’m moving to Paris soon. She’s like, “Oh, that’s where I was at; my career started in Paris.” So she’s a huge inspiration of mine, but she’s also a mentor, and you know, like a mommy also. I’m one of her babies. (Laughs.)

Who else reached out to you acknowledging how big of a deal your Sports Illustrated shoot was?

So many people hit me up. People from all different walks of life. A lot of white men reached out to me, and not fetishizing or sexualizing me but acknowledging the fact that the world is changing and the decisions that Sports Illustrated is making allow me to not only just be a part of Sports Illustrated but to tell my story through them. (It) was truly monumental for them. They acknowledge that the world needs to change, and why has it taken so long? A huge, prominent person in sports, (NBA star Dwyane) Wade, who is also from Chicago, reached out to me and congratulated me, sent me some bottles of wine — shout out to D-Wade! He’s raising a young trans daughter, and it was just truly powerful to know that the world is really changing in this moment.

What do you think it will feel like when you get your hands on a physical copy of the magazine?

I just… I honestly, oh my… even seeing a billboard of me anywhere just gives me chills. Because that was part of my vision board, you know? I would go to these places and see these billboards and just dream that one day that could be me. So the idea that there’s a magazine that’s on the level of Sports Illustrated that is acknowledging my life and what I do in this world with my life, wants me to be something, or sees something inside of me, that’s just truly powerful to me. This new generation of people, you ask them the names, you tell them the stories, and it doesn’t really click with them. But for me, who comes from that era of understanding before social media how powerful these spaces are, it’s just out of this world. I just pinch myself every time.

When it comes to trans women of color leveling the playing field both in and out of Hollywood, what’s next? What do you want to see leveled up next for trans women of color?

I want to see education level up. I think it’s important for me to pass on information just like information was passed onto me. Since we are in a time when education is always going to be a powerful tool, I definitely want to see how I can work in that environment, whether it’s me opening my own school or building a curriculum in a school to develop some type of information and data so people like me can have resources that I didn’t have when I was growing up.

What’s next for you?

One of my mentors, Carmen Xtravaganza, I’m writing her story. That was one thing she wants to leave on this Earth: just information and ideas and wisdom, and I want to put it in a book. After I write her book, I’m going to be writing my own book.

This interview has been edited and condensed for clarity.

Chris Azzopardi is the Editorial Director of Pride Source Media Group and Q Syndicate, the national LGBTQ wire service. He has interviewed a multitude of superstars, including Cher, Meryl Streep, Mariah Carey and Beyoncé. His work has also appeared in The New York Times, Vanity Fair, GQ and Billboard. Reach him via Twitter @chrisazzopardi.

Follow Friday: Inspiring Black Trans Women

Black Trans Women

This Follow Friday is an opportunity to celebrate some amazing black trans women.   Black trans women face significant challenges in our society.   The US Trans Survey reports that trans women of color are more than twice as likely to be living in poverty and four times more likely to be unemployed.   The HIV rate among black trans women was an astounding 19%.   Black trans women, however, cannot simply be reduced to a collection of risk factors.  The amazing women below are each succeeding in their respective fields and fighting back against racism, transphobia, and misogyny along the way.

Alexandra Grey

Alexandra Gray
Alexandra Gray

twitter.com/1alexandragrey

Actress Alexandra Grey had a standout cameo performance on season three of the Amazon series Transparent, portraying a trans teenager in foster care (a story line that mirrors her own life).  You may also remember Alexandra from her portrayal of trans activist Marsha P. Johnson in an amazing Stonewall themed episode of Drunk History.

Thankfully, we will be seeing much more of Alexandra in the future.   She has a recurring role on the miniseries When We Rise.  This highly anticipated series, written and produced by Academy Award Winner Dustin Lance Black, tells the history of the LGBT rights movement in the United States beginning with the Stonewall riots.

Monica Roberts

Monica Roberts
Monica Roberts

twitter.com/transgriot

Monica Roberts, AKA the TransGriot (Gree-oh) is a native Houstonian, GLAAD award nominated blogger, writer, and award winning trans human rights advocate.

She’s the founding editor of TransGriot, and her writing has appeared at the Bilerico Project, Ebony.com, The Huffington Post and the Advocate.

Monica is a 2015 recipient of the Virginia Prince Transgender Pioneer Award.  Monica was a GLAAD Media Award Outstanding Blog Nominee in 2014.

Angelica Ross

Angelica Ross
Angelica Ross

twitter.com/angelicaross
Like Dane, Angelica Ross wears multiple has.  She is perhaps known best one of the stars of the web series Her Story, a role that has garnered her widespread acclaim exploring dating and relationship issues for trans and queer women.

She is also the founding CEO of TransTech Social Enterprises. TransTech is an incubator for LGBTQ Talent with a focus on economically empowering the T, transgender people, in our community.  TransTech provides services including online community and trainings, helping individuals get the tech credentials they need to pursue or grow their careers.

Fallon Fox

Fallon Fox
Fallon Fox

twitter.com/fallonfox

Fallon Fox is an American mixed martial artist (MMA). She is the first openly African American transgender athlete in MMA history.

Prior to her career in MMA, Fox had served in the Navy as a operations specialist 2nd class for the U.S.S. Enterprise.  Fallon was ‘outed’ as transgender and endured transphobia coming from some in in the UFC, but was undeterred.  Fallon has become a powerful advocate and role model appearing on ESPN, in the Advocate Magazine, and working as a partner in the Nike #BeTrue campaign.

Dane Figueroa Edidi

Dane Figueroa Edidi
Dane Figueroa Edidi

twitter.com/theladydane

Dane Edidi does it all. She is an actress, author, singer, playwright, poet, and priestess.   A native of Baltimore, Maryland, Dane’s poetry collection Baltimore, a Love Letter was written during and after the Baltimore 2015 Riots. The poem that gives this collection its name is both a beautiful reflection on the city as well as a call to action (it is my personal favorite of all of Dane’s poems).

Dane is the author of several novels and novellas including Brew, the fictional story of a trans teenager, which also draws inspiration from Baltimore where the story is set.

Find out more and buy Dane’s work at: www.ladydanefe.com

Elle Hearns

Elle Hearns
Elle Hearns

twitter.com/soulfreedreams

Elle hearns is a powerful activist, speaker, and community organizer.  Elle began her work organizing black trans women in her hometown of Columbus, Ohio in response to the murders of trans women including  Cemia Dove, Brittney Nicole Kidd-Stergis,Tiffany Edwards, and Betty Skinner.

Her activism brought her to Washington DC where she worked for Get Equal as a regional coordinator.   Elle is known for her leadership on grassroots initiatives including Trans Liberation Tuesday, as well as digital campaigns More Than Marriage, and Raise the Debate.

Elle Hearns has been involved in Black Lives Matter since the very beginning of the movement and currently serves as an organizing coordinator.

Lourdes Ashley Hunter

Lourdes Ashley Hunter
Lourdes Ashley Hunter

twitter.com/hunterlourdes

Healer, orator and academic, Lourdes Ashley Hunter has served as a transformative thought leader and change agent for grass-roots initiatives that impact the economic growth and leadership development of communities disproportionately impacted by state sanctioned violence for over 20 years. Lourdes’ research, curriculum development, global organizing and activism centers healing restoration in social justice change. co-founder and National Director of Trans Women of Color Collective (TWOCC)

Kat Blaque

Kat Blaque
Kat Blaque

twitter.com/kat_blaque

Fans tune in weekly to watch Kat Blaque on youtube, and especially the ongoing True Tea advice series.   With over 100,000 subscribers, Kat has become a powerful voice speaking candidly about feminism, racial justice, and gender identity & expression.

Kat can also be found contributing at Everyday Feminism and Huffington Post Black Voices.

This list is just a beginning.  Which black trans women inspire you and why?  Share your thoughts in the comments below.

Follow Friday: Black Trans Voices
Follow Friday: Black Trans Voices

 

 

Victory Fund Endorses Alex Wan in Race for Georgia House District 57

Alex Wan Atlanta

Former Atlanta City Councilmember Alex Wan, a long-time Morningside homeowner and civic leader, has been endorsed by Gay & Lesbian Victory Fund in the race for Georgia State House District 57. Victory Fund (www.VictoryFund.org) is the only national organization dedicated to electing LGBTQ people to public office.

“LGBTQ Victory Fund endorsed Alex in his previous races and is pleased to endorse his bid to continue serving Georgians, this time under the Gold Dome,” says Mayor Annise Parker, Victory Fund President & CEO. “During his 8 years on Atlanta City Council and since, Alex has worked with friends and neighbors across the district, tackling the community’s shared challenges. He is well-positioned at this critical juncture in our history to continue fighting for those issues in the State Legislature.”

Wan announced his bid to represent Georgia State House District 57, following the December announcement by State Rep. Pat Gardner that she will retire after the 2020 General Assembly. This endorsement signals Victory Fund’s confidence that Wan is ideally suited to represent District 57 and will be a strong voice for equity and equality in the Legislature.

“I am honored by the support of Victory Fund,” says Wan, who has called District 57 home for more than 25 years. “As I have said before, Victory Fund’s candidate training and support played an important part in my public service journey. As I continue fighting for the progressive, inclusive values we share as Atlantans, I am proud to do so with the support of the LGBTQ Victory Fund.”

Wan served as an Atlanta City Council member for Council District 6, which overlays much of House District 57, for 8 years. Wan was the first Asian American and first openly gay man elected to the Atlanta City Council. Since that time, he continues his community service as the Fulton/Atlanta citizen representative on the Atlanta Regional Commission Board and as a member of the Mayor’s LGBTQ Advisory Board.

“I hope that my service to our district since I moved here over 25 years ago has demonstrated the kind of representative I will be,” Wan says. “Voters know my values. They know my commitment to service. They know that I’m accessible. And voters know that my experience on the Atlanta City Council and relationships I have developed with state and national elected officials will be invaluable.”

His professional experience includes the private, public, non-profit and higher-education sectors. He is Executive Director of Horizons Atlanta, a nonprofit that provides tuition-free summer enrichment programs for children from traditionally underserved communities. Wan holds a Bachelor’s in Industrial Engineering from Georgia Tech and a Finance MBA from Wharton Business School and has completed educational programs at Dartmouth and Harvard.

Members of the Georgia House are elected for two-year terms, with the election to be held in November 2020, taking office in January 2021. Wan notes that redistricting that results from the 2020 Census will take place in the Fall of 2021, and that we need legislators in place who will approach that process fairly.

For more information about Wan and his campaign: www.AlexWanForAtlanta.com.

DesiQ Diaspora Call For Proposals

Desi Queer Diaspora Call for Proposals

NQAPIA is currently accepting proposals for Desi Queer Diaspora (DQD) 2020, to be held in Austin, Texas from May 15-17, 2020. Proposals will be accepted from August 12, 2019 until December 1st, 2019 at 11:59pm EST. Late proposals may be considered at the discretion of the DQD planning committee.

The term proposals references everything from discussion circles, movie showings, workshops, presentations, classes, panels  and much more. Proposals may address a wide variety of topics, and we welcome proposals from anyone who identifies as queer and/or tgnc and traces their family ancestry to South Asia and the diaspora. As you develop your proposal, please keep in mind that sessions will be 90 minutes.

Proposals will be reviewed by a team of DQD steering committee members and members of the conference proposal review committee. As we review proposals, we are committed to developing a conference schedule that covers a wide variety of interest to the community, as reflected in our community survey as well as session presenters that are representative of our community across class, caste, country of origin, religion, gender identity, gender expression, sex characteristics, and sexual orientation. NQAPIA also plan to organize specific panels to represent and reflect on the diversity of our community.

NQAPIA will let you know whether your proposal was accepted (or not) by February 1st, 2020. We will be accepting 27 workshops total. We ask that you accept the offer to present at the conference by February 15th, 2020. If you present at the conference, we will offer free registration. Note that for each session, there is a maximum of two presenters. If your proposal is not initially accepted, you may be placed on a waitlist and eventually be asked to present if other presenters drop out.

Find out more at: desiqdiaspora.org